Foreshortening · male · Body Study
Forward open-hand reach in perspective
reaching hand · Front view · near hand · Intermediate
Compare the apparent size of the near hand with the receding forearm, upper arm and torso.
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Curated drawing studies · 15 references
Practice comparing near and distant forms without flattening the figure. Choose a fixed-view reference below and open it for a short gesture pass or a slower construction study.
These are AI-generated images, not measured anatomy or rotatable 3D models. Perspective does not explain every unusual joint or proportion. Cross-check details that remain unclear.
Block the hand or fist as one mass before separating the fingers. Trace the arm back toward the shoulder and compare how its apparent width changes. Natural occlusion is useful; you do not need to expose every joint in your drawing.
Foreshortening · male · Body Study
reaching hand · Front view · near hand · Intermediate
Compare the apparent size of the near hand with the receding forearm, upper arm and torso.
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Foreshortening · female · Body Study
foreshortened punch · Front view · near hand · Advanced
A short visible forearm, overlapping arm volumes, and a readable torso behind the fist.
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Foreshortening · male · Body Study
upward reach · High view · near hand · Advanced
Study the change in apparent scale from the raised hand to the torso and lower body under a high camera.
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Foreshortening · male · Body Study
split depth reach · Front view · near hand · Advanced
Compare two arms at different distances while keeping their connections to the same shoulder girdle readable.
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Foreshortening · female · Body Study
cross body overhead reach · High view · near hand · Advanced
A diagonal depth sequence from near hand through rib cage to distant feet.
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Compare the near foot and lower leg with the pelvis and torso behind them. Establish the larger scale relationship first, then place the knee and other visible landmarks. Avoid correcting the image into an unforeshortened side view.
Foreshortening · female · Body Study
seated leg extension · Low view · near foot · Advanced
The near foot, receding shin, and overlapping thigh in a seated pose.
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Foreshortening · male · Body Study
foreshortened front kick · Low view · near foot · Advanced
Depth compression of the kicking leg and the scale difference between the feet.
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Foreshortening · female · Body Study
reclining perspective · Low view · near foot · Advanced
The receding scale of foot, pelvis, chest, and head in a reclined figure.
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Look for the top-facing planes and the way the head, shoulders, pelvis and legs overlap from above. Preserve the direction of the whole body even when its visible length is compressed. Do not add hidden anatomy simply to make a familiar front-view outline.
Foreshortening · male · Body Study
high angle crouch · High three-quarter view · Intermediate
Overlapping masses and the visible top planes in a high-angle crouch.
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Foreshortening · female · Body Study
high angle running · High three-quarter view · Advanced
The shortened torso-to-leg depth chain seen from above.
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Foreshortening · female · Body Study
high angle side lunge · High three-quarter view · Advanced
Depth and width relationships across a wide lunge viewed from above.
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Foreshortening · male · Body Study
overhead reach · Near-overhead view · Advanced
Compression of vertical height and overlap from a near-overhead viewpoint.
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Compare the underside and front-facing planes visible from below. Check which limb or body mass overlaps another, and use the floor only where a contact is actually shown. A dramatic viewpoint should still leave the main body connections understandable.
Foreshortening · female · Body Study
low angle lunge · Low front three-quarter view · Intermediate
Near-knee scale and the rising torso from a low viewpoint.
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Foreshortening · female · Body Study
low angle backward lean · Low three-quarter view · Intermediate
Study the tilted torso and open arm shapes from a low viewpoint, using overlap to preserve depth.
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Foreshortening · female · Body Study
low angle upward reach · Low front three-quarter view · Advanced
Upward depth recession through shoulders, elbows, wrists, and fingertips.
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Begin with the form closest to the viewer, then compare it with the torso and the more distant limbs. A shortened-looking limb may be pointing into depth rather than running across the page. Use visible overlaps to connect the parts, but do not assume that every odd-looking connection is a valid perspective effect. A reference is a starting point for observation, not proof that the generated anatomy is correct.
Place the nearest form first. Add the torso and pelvis as simpler, more distant masses, then connect the limbs with a few directional marks. Compare apparent sizes before drawing fingers, toes or facial features.
Choose one limb and trace it from its nearest end back to the torso. Mark the overlaps that explain depth, then compare the spaces around it. When the connection remains ambiguous, note the uncertainty rather than inventing a confident anatomical solution.
Use the forward open-hand reach for a study of one near-to-far arm connection. Then compare it with the two-arm depth reference, where both arms relate to the same torso but may appear different in size. Focus on the visible proportions and overlaps; the two images are separate studies, not a calibrated multi-view set.
No. AI-generated references can include errors. Compare the visible connections and overlaps, and check another reference when the structure remains unclear.
No. Each reference is a fixed image. Choose another viewpoint from the library for a different study.
For a short study, begin with large shapes and apparent size relationships. Use a longer timer when you are ready to examine smaller structural details.